Women's Issues Are Society's Issues

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13,682 notes

Being a feminist doesn’t mean suddenly no longer liking problematic things. If you stopped liking everything that was sexist in media and entertainment there would be no media or entertainment left. Being a feminist, to me, is being aware of what it is you’re liking, and of its problematic aspects.
sabrina_il (via dat-lolly)

(Source: glvalentine.livejournal.com, via fuckyeahwomenprotesting2)

Filed under feminist feminism sexist sexism sexist media sexist entertainment

11,067 notes

humansofnewyork:

“We’ve been friends since we were 13.”
“What’s the most fun you’ve ever had together?”
“Oh, we don’t know…”
“Well, what’s the hardest you’ve ever laughed together?”
“Now you listen here! I want you to write down these questions you’re asking us, pull them out when you’re 85 years old, and see if you can answer them yourself!”

humansofnewyork:

“We’ve been friends since we were 13.”

“What’s the most fun you’ve ever had together?”

“Oh, we don’t know…”

“Well, what’s the hardest you’ve ever laughed together?”

“Now you listen here! I want you to write down these questions you’re asking us, pull them out when you’re 85 years old, and see if you can answer them yourself!”

12,959 notes

feministbecky:

valeriansays:

cha-cha-heels:

nadiaaboulhosn:

gabifresh:

AHHHHH! My swim collection is AVAILABLE NOW! BUY IT HERE!
go to gabifresh.com for more pics and important info about sizing/fit before buying!

MORE PICS OF THE SHOOT WITH ME!!! xo

OK THIS IS HAPPENING and I think I’m going to get jewel sheer-sided one piece because although I love those bikinis, me and a tie halter just don’t cooperate. I love that this shoot was inspired by Spring Breakers!

summer babes

Ugh…. gorgeous…. 

12,565 notes

Why is there very little utility to women’s clothing? Why don’t we get pockets which actually open? Why do we have to put up with the ‘false pockets’ that are frequently sewn onto women’s jackets and pants to give visual interest without ruining the ‘line’ of the garment? Why, when pockets are actually present, are they so rarely large, stable, or loose enough to accommodate a phone or a wallet? And why, given this is the case, do women go on to cop so much flack for carrying handbags around with them?

Oh wait. Is this one of those double standards which we feminists are always going on about; one of those innocuous little things which everybody just accepts because it is the norm?

Women carry handbags. It is known.

But why? I have watched my male friends get ready to go out. They slip their wallet into one pocket, their keys into another, their phone into a third pocket, and some of them even still have spare pockets large enough to carry a novel for the journey. Those of my friends who wear women’s clothes, though, face an entirely different situation. If they are wearing the right jeans or jacket, they may have up to two usable pockets (not at all guaranteed). However, in most cases they won’t have any pockets at all. Utility and style rarely meet in women’s fashion, so they grab a bag.

Contrary to all the jokes, most women don’t ‘have’ to leave the house with everything they pack in their day-to-day handbag. Most of the items in a woman’s everyday handbag are in there because, if she’s going to have to carry it anyway, she might as well make it worth her while. Excuse us for making use of the one useful item we find in our wardrobes.

, “The Feminist and the Handbag (via athenasaurus)

Oh lord, don’t get me started on this. This is a little thing that highlights a big equality problem between men and women. We need the same supplies as men to do the same job. When I stocked shelves it was impossible to find pants that would hold my wallet, my box knife, my badge, my keys, my gloves (I worked dairy/frozen) and my phone. I actually ended up not carrying my wallet or keys at all. Fuck if I’m carrying a purse *ever* but that certainly wouldn’t have helped on the job.

My husband? He holds all of that plus his insulin, packets of honey in case his blood sugar drops (or a vial of glucose tablets), glucometer, headphones, markers, and pencils. With plenty of room to spare. I’ve even seen him slip paperback books into empty pockets.

When we bought sweatpants together so we could start working out? I had zero pockets. He had four. Four. When we wanted some boots for added protection working around 1.5-ton pallets and slippery surfaces, he was able to go to the nearest store and buy steel-toed, non-shock, no-slip boots in his size, no problem. I had to look online to find mine. Because women don’t work dangerous jobs. I hate shopping for clothes in general, but when it has to be online it really sucks because you never know if they will actually fit or be decent quality. Especially because, guess what, women’s sizes are far less standardized than men’s.
I’m going to guess this is all some remnant from the “women should be in the kitchen, not out in the world doing practical things” days that has held over and made it harder for us to…you know, do practical things, even nowadays. If I ever end up working a job like that again, I’ll probably just buy men’s pants and hem them for my 5-foot-tall frame, because I deserve the same supplies for my job that men do. And no, I don’t care if the men’s jeans don’t highlight the curve of my ass superbly. Do they hold up under tough conditions? Do they carry what I need carried? Practicality and efficiency only in my wardrobe, please.

(via solluxisms)

I remember watching I think it was Project Runway and the contestants had to design a new uniform for female postal workers.  The one designer put utilitarian pockets on her design, and the judges yelled at her for it.  They said something about it not being flattering, because you know, the key part of any uniform is not that it works for the job, but that it shows off your body in the best light possible.

(via jetpuffedmarshmallowsandsunburns)

(Source: blonde-cyborg, via diaryofanarabfeminist)

25 notes

"My Medical Choice" by Angelina Jolie

My mother fought cancer for almost a decade and died at 56. She held out long enough to meet the first of her grandchildren and to hold them in her arms. But my other children will never have the chance to know her and experience how loving and gracious she was.

We often speak of “Mommy’s mommy,” and I find myself trying to explain the illness that took her away from us. They have asked if the same could happen to me. I have always told them not to worry, but the truth is I carry a “faulty” gene, BRCA1, which sharply increases my risk of developing breast cancer and ovarian cancer.

My doctors estimated that I had an 87 percent risk of breast cancer and a 50 percent risk of ovarian cancer, although the risk is different in the case of each woman.

Only a fraction of breast cancers result from an inherited gene mutation. Those with a defect in BRCA1 have a 65 percent risk of getting it, on average.

Once I knew that this was my reality, I decided to be proactive and to minimize the risk as much I could. I made a decision to have a preventive double mastectomy. I started with the breasts, as my risk of breast cancer is higher than my risk of ovarian cancer, and the surgery is more complex.

On April 27, I finished the three months of medical procedures that the mastectomies involved. During that time I have been able to keep this private and to carry on with my work.

But I am writing about it now because I hope that other women can benefit from my experience. Cancer is still a word that strikes fear into people’s hearts, producing a deep sense of powerlessness. But today it is possible to find out through a blood test whether you are highly susceptible to breast and ovarian cancer, and then take action.

My own process began on Feb. 2 with a procedure known as a “nipple delay,” which rules out disease in the breast ducts behind the nipple and draws extra blood flow to the area. This causes some pain and a lot of bruising, but it increases the chance of saving the nipple.

Two weeks later I had the major surgery, where the breast tissue is removed and temporary fillers are put in place. The operation can take eight hours. You wake up with drain tubes and expanders in your breasts. It does feel like a scene out of a science-fiction film. But days after surgery you can be back to a normal life.

Nine weeks later, the final surgery is completed with the reconstruction of the breasts with an implant. There have been many advances in this procedure in the last few years, and the results can be beautiful.

I wanted to write this to tell other women that the decision to have a mastectomy was not easy. But it is one I am very happy that I made. My chances of developing breast cancer have dropped from 87 percent to under 5 percent. I can tell my children that they don’t need to fear they will lose me to breast cancer.

It is reassuring that they see nothing that makes them uncomfortable. They can see my small scars and that’s it. Everything else is just Mommy, the same as she always was. And they know that I love them and will do anything to be with them as long as I can. On a personal note, I do not feel any less of a woman. I feel empowered that I made a strong choice that in no way diminishes my femininity.

I am fortunate to have a partner, Brad Pitt, who is so loving and supportive. So to anyone who has a wife or girlfriend going through this, know that you are a very important part of the transition. Brad was at the Pink Lotus Breast Center, where I was treated, for every minute of the surgeries. We managed to find moments to laugh together. We knew this was the right thing to do for our family and that it would bring us closer. And it has.

For any woman reading this, I hope it helps you to know you have options. I want to encourage every woman, especially if you have a family history of breast or ovarian cancer, to seek out the information and medical experts who can help you through this aspect of your life, and to make your own informed choices.

I acknowledge that there are many wonderful holistic doctors working on alternatives to surgery. My own regimen will be posted in due course on the Web site of the Pink Lotus Breast Center. I hope that this will be helpful to other women.

Breast cancer alone kills some 458,000 people each year, according to the World Health Organization, mainly in low- and middle-income countries. It has got to be a priority to ensure that more women can access gene testing and lifesaving preventive treatment, whatever their means and background, wherever they live. The cost of testing for BRCA1 and BRCA2, at more than $3,000 in the United States, remains an obstacle for many women.

I choose not to keep my story private because there are many women who do not know that they might be living under the shadow of cancer. It is my hope that they, too, will be able to get gene tested, and that if they have a high risk they, too, will know that they have strong options.

Life comes with many challenges. The ones that should not scare us are the ones we can take on and take control of.

Filed under angelina jolie ny times new york times angelina jolie cancer BRCA1 breast cancer ovarian cancer double mastectomy angelina jolie double mastectomy feminist feminism pink lotus breast center

19 notes

Obama Tells Pentagon Leaders Sexual Assault Is ‘Shameful'

With arrests in the military continuing to shadow its program to combat sexual harassment, President Obama summoned the Pentagon’s senior leaders to the White House on Thursday, telling them that the levels of sexual assault across the armed services were a disgrace that undermined the trust essential for the military to carry out its mission effectively.

The tableau of the commander in chief speaking so forcefully at the end of a meeting with the Pentagon’s top civilian and military leaders was a sign of the administration’s concern with sexual assault and sexual harassment. Yet no specific new initiatives were announced, and Mr. Obama cautioned that “there is no silver bullet.”

But the president made clear his distress.

“So not only is it a crime, not only is it shameful and disgraceful, but it also is going to make and has made our military less effective than it can be,” Mr. Obama said. “And as such it is dangerous to our national security.”

Mr. Obama said he had asked Defense Secretary Chuck Hagel and Gen. Martin E. Dempsey, the chairman of the Joint Chiefs of Staff, to lead a process that would improve enforcement of the law and hold accountable those who violate it. The president also insisted that training be improved.

The White House session came as Army officials confirmed Thursday that commanders at Fort Campbell, Ky., had relieved a lieutenant colonel from his position as supervisor of the base’s sexual assault program after a domestic dispute with his ex-wife that led to his arrest.

Mr. Obama said the military must find ways to protect victims of sexual assault or harassment and even empower them. “When victims do come forward, they deserve justice,” he said. “Perpetrators have to experience consequences.”

Across the military, senior officers have acknowledged that the issue has reached the level of crisis. The Pentagon found that an estimated 26,000 assaults took place last year.

“We’re losing the confidence of the women who serve that we can solve this problem,” General Dempsey said in an interview with the American Forces Press Service, the Pentagon’s internal news organization. “That’s a crisis.”

Also on Thursday, Senator Kirsten E. Gillibrand, Democrat of New York, continued to gain support for a measure that would give military prosecutors rather than commanders the ability to decide which sexual assault cases to try. The goal is to increase the number of people who report crimes without fear of retaliation and to give more power to military prosecutors. Ms. Gillibrand’s measure attracted three Republican co-sponsors: Senators Susan Collins of Maine, Charles E. Grassley of Iowa and Mike Johanns of Nebraska.

“The most ardent advocates of this kind of measure will be members of the military themselves,” said Senator Richard Blumenthal, Democrat of Connecticut. “They would welcome the fairness and efficiency.” Mr. Blumenthal said he would introduce his own measure to establish a victims’ compensation system and a mandatory punitive discharge for all sexual assault convictions.

Filed under obama pentagon president obama barack obama sexual assault sexual harassment sexual assault in the military rape rape in the military women in the military feminist feminism

48 notes

‘Brave’ Creator Blasts Disney for ‘Blatant Sexism’ in Princess Makeover
Marin filmmaker Brenda Chapman, who won an Oscar for writing and co-directing the animated feature “Brave,” blasted Disney’s sexy makeover of her movie’s feisty heroine, Merida, as “a blatantly sexist marketing move based on money.”
Chapman, a Mill Valley resident, modeled the headstrong Merida on her 13-year-old daughter, Emma, creating her as a role model for little girls.
In an email to the Independent Journal on Saturday, she said she has given Bob Iger, president of Walt Disney International, “a piece of my mind” for the entertainment giant’s decision to glamorize the tomboy character she envisioned.
“There is an irresponsibility to this decision that is appalling for women and young girls,” she said, writing from Chile, where she has been on business. “Disney marketing and the powers that be that allow them to do such things should be ashamed of themselves.”

Disney crowned Merida its 11th princess on Saturday, but ignited a firestorm of protest with a corporate makeover of Chapman’s original rendering of the character, giving her a Barbie doll waist, sultry eyes and transforming her wild red locks into glamorous flowing tresses. The new image takes away Merida’s trusty bow and arrow, a symbol of her strength and independence, and turns her from a girl to a young woman dressed in an off-the-shoulder version of the provocative, glitzy gown she hated in the movie.
Chapman fumed. “When little girls say they like it because it’s more sparkly, that’s all fine and good but, subconsciously, they are soaking in the sexy ‘come hither’ look and the skinny aspect of the new version. It’s horrible! Merida was created to break that mold — to give young girls a better, stronger role model, a more attainable role model, something of substance, not just a pretty face that waits around for romance.”
“I think it’s atrocious what they have done to Merida,” 

Chapman, the first woman to win an Academy Award for an animated feature, said she has added her name to a petition with more than 50,000 signatures that has gone viral on the female empowerment website “A Mighty Girl,” joining other mothers outraged by Disney’s sexualization of her headstrong young Scottish heroine, an expert archer with a head of wild, curly red hair and a mind of her own.
Signers variously described the new Merida as “vapid,” “arm candy,” “unrealistic” and “vacant looking.”
In an official statement to Yahoo! Shine, a Disney spokesperson said, “Merida exemplifies what it means to be a Disney Princess through being brave, passionate, and confident and she remains the same strong and determined Merida from the movie whose inner qualities have inspired moms and daughters around the world.”
Chapman begs to differ. In basing Merida on her teenage daughter, then a student at Mill Valley Middle School, she said she wanted the movie to be “a contemporary fairy tale” that resonates with today’s working mothers and daughters. Her character’s image as a different kind of princess turned out to be hugely successful, grossing more than $550 million, winning an Oscar, a Golden Globe and the Bafta Award from the British Academy of Film and Television Arts.
“They have been handed an opportunity on a silver platter to give their consumers something of more substance and quality — THAT WILL STILL SELL — and they have a total disregard for it in the name of their narrow minded view of what will make money,” Chapman wrote. “I forget that Disney’s goal is to make money without concern for integrity. Silly me.”
*Since this article was written, Disney quietly restored the original Merida artwork to the character’s profile on its official princess website, but made no announcement about the switch. Disney did not respond to the Independent Journal’s requests for comment.

‘Brave’ Creator Blasts Disney for ‘Blatant Sexism’ in Princess Makeover

Marin filmmaker Brenda Chapman, who won an Oscar for writing and co-directing the animated feature “Brave,” blasted Disney’s sexy makeover of her movie’s feisty heroine, Merida, as “a blatantly sexist marketing move based on money.”

Chapman, a Mill Valley resident, modeled the headstrong Merida on her 13-year-old daughter, Emma, creating her as a role model for little girls.

In an email to the Independent Journal on Saturday, she said she has given Bob Iger, president of Walt Disney International, “a piece of my mind” for the entertainment giant’s decision to glamorize the tomboy character she envisioned.

“There is an irresponsibility to this decision that is appalling for women and young girls,” she said, writing from Chile, where she has been on business. “Disney marketing and the powers that be that allow them to do such things should be ashamed of themselves.”

Disney crowned Merida its 11th princess on Saturday, but ignited a firestorm of protest with a corporate makeover of Chapman’s original rendering of the character, giving her a Barbie doll waist, sultry eyes and transforming her wild red locks into glamorous flowing tresses. The new image takes away Merida’s trusty bow and arrow, a symbol of her strength and independence, and turns her from a girl to a young woman dressed in an off-the-shoulder version of the provocative, glitzy gown she hated in the movie.

Chapman fumed. “When little girls say they like it because it’s more sparkly, that’s all fine and good but, subconsciously, they are soaking in the sexy ‘come hither’ look and the skinny aspect of the new version. It’s horrible! Merida was created to break that mold — to give young girls a better, stronger role model, a more attainable role model, something of substance, not just a pretty face that waits around for romance.”

“I think it’s atrocious what they have done to Merida,” 

Chapman, the first woman to win an Academy Award for an animated feature, said she has added her name to a petition with more than 50,000 signatures that has gone viral on the female empowerment website “A Mighty Girl,” joining other mothers outraged by Disney’s sexualization of her headstrong young Scottish heroine, an expert archer with a head of wild, curly red hair and a mind of her own.

Signers variously described the new Merida as “vapid,” “arm candy,” “unrealistic” and “vacant looking.”

In an official statement to Yahoo! Shine, a Disney spokesperson said, “Merida exemplifies what it means to be a Disney Princess through being brave, passionate, and confident and she remains the same strong and determined Merida from the movie whose inner qualities have inspired moms and daughters around the world.”

Chapman begs to differ. In basing Merida on her teenage daughter, then a student at Mill Valley Middle School, she said she wanted the movie to be “a contemporary fairy tale” that resonates with today’s working mothers and daughters. Her character’s image as a different kind of princess turned out to be hugely successful, grossing more than $550 million, winning an Oscar, a Golden Globe and the Bafta Award from the British Academy of Film and Television Arts.

“They have been handed an opportunity on a silver platter to give their consumers something of more substance and quality — THAT WILL STILL SELL — and they have a total disregard for it in the name of their narrow minded view of what will make money,” Chapman wrote. “I forget that Disney’s goal is to make money without concern for integrity. Silly me.”

*Since this article was written, Disney quietly restored the original Merida artwork to the character’s profile on its official princess website, but made no announcement about the switch. Disney did not respond to the Independent Journal’s requests for comment.

Filed under merida sexism sexist disney brave brenda chapman role model feminism feminist disney marketing merida makeover academy award

28,458 notes


I wish people wouldn’t just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts and Sandra Bullock in a romantic comedy, but not me. You add race to it, and it became, ‘Well she’s too Asian’, or ‘She’s too American’. I kind of got pushed out of both categories. It’s a very strange place to be. You’re not Asian enough and then you’re not American enough.

-Lucy Liu

I wish people wouldn’t just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts and Sandra Bullock in a romantic comedy, but not me. You add race to it, and it became, ‘Well she’s too Asian’, or ‘She’s too American’. I kind of got pushed out of both categories. It’s a very strange place to be. You’re not Asian enough and then you’re not American enough.

-Lucy Liu

(Source: joanwatson, via feyminism)

Filed under lucy liu race lucy liu quotes hollywood asian women asian women in hollywood stereotypes racial stereotypes